deseo por venir: symposium in Valparaíso, workshop and urban intervention with students (2000);
deseo urbano: urban game > production of desires for the future of the city (2001)
2000: On invitation by: Antonio Angelillo (Milan) and Bruno Barla/ Arqval (Valparaíso/ Chile) in cooperation with the three architecture faculties in Valparaíso
2001: urban intervention, supported by the Austrian Ministry of Arts and Culture
Team
Fritz Rücker (Vienna); Paz Undurraga and Michael Bier (Partners in Valparaíso)
Workshop participants
Mariacristina Garavelli, Francisco Jara Gomez, Mariagrazia Cenciarelli, Dimitri Chatzipetros, Isabella Sassi, Felix Caceres, Valentina Mazzotti, Giulia Savi, Marcella Isola, Ingrid Tarò, Paula Nolff and others
In 2000, the inner city of Valparaíso was declared a UNESCO world cultural heritage site. On this occasion an international architecture symposium was organised by Antonio Angelillo (Milan) and Bruno Barla/ Arqval (Valparaíso/ Chile) in cooperation with the three architecture faculties in Valparaíso. In the context of this symposium, transparadiso held a workshop with students and young graduates from Italy and Chile.
In 2001, transparadiso continued the project Deseo por venir they had started in 2000 with the students, with the urban intervention Deseo urbano.
For the workshop, transparadiso took advantage of the international and local political attention and focused its activities on a location, the girls' home (Hogar) Maria Goretti on the cerro cordillera, which was far away from public interest in the world cultural heritage site. In this socio-urban context, an extended urban action seemed to be necessary – beyond (colonialist) debates on how to preserve the cultural heritage prevalent in the conference.
Together with the girls and students, transparadiso developed a video project that worked with changing roles: while the girls participated as scriptwriters, actresses, directors and camerawomen, the workshop leaders and the students helped out as assistants. The “tias” (“aunties”/ supervisors) in the home opened up the normally closed gates of the home, allowing the street to become a set for one day. This is how the film “lady arriba” was made. The video was edited over night by the students and presented to the public in the TAC (taller de acción comunitaria, a community centre close to the home) and in the final exhibition of the workshop.
A year later, the video was publicly screened at the Plaza la Matriz. This screening also served as the starting point for, and announcement of, the continuation of the project by the urban game, Deseo urbano. This was conceived as both research and intervention at the same time, based on a multilayered reading of Valparaíso. The invitation to take part in the game at specific public locations was announced via posters and postcards, which at the same time represented playing cards, as well as through reports in the daily newspapers. Residents were invited to express their wishes beyond the conventional categories of urban planning on postcards. Game board, dice and playing cards were designed to help to present personal wishes and suggestions to the city by using postcards /playing cards. On a parallel level, the game was played with governmental institutions so that, in the end, suggestions could be collected from the diverse audiences involved in the making of the city.
These wishes were handed over to the MINVU (Ministry for Housing and Urbanism of the Fifth Region of Chile) during a public closing event in the city library. Architect Paz Undurraga, who supported transparadiso during the project, was then appointed by the MINVU as advisor for special projects.
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